Looking at a Photograph

A few weeks back I blogged about a some of the things you can do to make your photography better. If you haven’t seen it, please read https://dougkeech.wordpress.com/2016/12/27/ten-things-to-strive-for-in-your-photography/.

Further to that post, I’d like to add a few more observations to each consideration and some of the specific factors that can influence such.

1.) Does the photograph possess a beauty in and of itself?

Influential factors: composition/balance, subject matter, light, tonality/contrast, colour

2.) Does the image shock you in some way as to keep you wanting to look?

Influential factors: subject matter, compositional technique, timing

3.) Does the image have a universal appeal or value?

Influential factors: shared experience, subject matter, timelessness

4.) Is the photograph poetic or symbolic of something larger?

Influential factors: shared experience, subject matter, photographic technique, processing

5.) Is the image interesting to look at?

Influential factors: subject matter, compositional technique, frame, moment

6.) Is the photograph significant in some way?

Influential factors: subject matter, uniqueness, relevance to the time, descriptive ability

7.) Is it useful in that it documents a place and time or describes a human condition?

Influential factors: relevance to a certain event, descriptive ability, encompasses a story

8.) Does the image spark an emotion in you?

Influential factors: gesture, intimacy, shared experience/memory trigger

9.) Does the photograph have enough context for you to know what you’re looking at?

Influential factors: distance, frame

10.) Has the photographer confined the significant detail and rid the image of the unimportant clutter?

Influential factors: frame

Garry Winogrand was quoted once as saying that it’s the photographer’s problem to figure out a way to make the photograph more interesting to look at than the thing actually being photographed. And obviously there are many more criteria that go into making a photograph than the ones mentioned here. However, I have found it a good exercise to go through each of the above things to strive for in your photography and try to think of examples of images that illustrate the points as a good example and as a bad example.

Happy Shooting,

Doug

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Ten Things To Strive For In Your Photography

We are about to bring this year to a close. I’ve been busy not just taking photographs but also cleaning out my image library, archiving important images, and starting anew.

As this will most likely be most last blog post of the year, I’d like to leave you with a few things to think about. The idea for this post came about mostly because of what I’ve seen when I teach people photography. Many students I’ve had over the years have experienced difficulty editing their images. There is no doubt in my mind that editing (I’m not talking about post processing here) or weeding out your images so that you’re only left with strong ones, is a necessary skill that has to be developed just like any other skill. And for many it seems, it’s very difficult to get rid of your bad photos.

I also believe that images that are strong generally require very little in the way of post processing. I shoot mostly on film these days, so the only processing I find myself doing is dust and scratch removal, and maybe a tiny bit of dodging or burning.

All photographers have taken lousy images. And most have images that are mediocre, and some that are very strong. But I find that it’s very important to be your own critic and always be in the mindset of trying to objectively see your images from another persons standpoint.

Here are a few things I always try to ask myself when looking at photographs:

1.) Does the photograph possess a beauty in and of itself?

2.) Does the image draw you in or shock you in some way?

3.) Does the image have a universal appeal or value?

4.) Is the photograph poetic or symbolic of something larger?

5.) Is the image interesting to look at?

6.) Is the photograph significant in some way? 

7.) Is it useful in that it documents a place and time or describes a human condition?

8.) Does the image spark an emotion in you?

9.) Does the photograph have enough context for you to know what you’re looking at?

10.) Has the photographer confined the significant detail and rid the image of the unimportant clutter?

Now, you may not be able to satisfy all these criteria when taking your photographs, but trust me, it’s a good idea to always have these questions in the back of your mind when you’re editing.

Happy Shooting as always, and I wish you the best year of photography ever in 2017.

Doug