Notes from a Small Town Street Tog (February)

“If we limit ourselves, a whole new world of possibilities will emerge.”

“Some situations terrify me. That’s how I know it’s time to press the shutter.”

“Even if I go out and return home with no photos to show for it, I still feel good. It’s only a loss if I’ve learned nothing.”

“In street photography you react. Thinking is for when you’ve got time.”

“I don’t take photographs for the taking’s sake. They have to mean something twenty years from now.”

“What is photography if it isn’t putting bookmarks in the pages of your life?”

“There is a point where you can become too technical or too demanding. After that the photograph no longer has meaning.”

“I don’t get angry if I have to shoot at a high ISO. After all, it’s not a contest to see who can produce the cleanest photograph. There are situations where I embrace grain.”

“The more transparent a camera is the more I like it. I just want it to do what I need it to do with minimum fuss. I have to get on with my work.”

“In small town street photography there are really only two approaches: either you have to become involved in a situation or you have to be invisible.”

“Sometimes we need to take a step away from reality to emphasize reality.”

“Being in a state of readiness and able to anticipate what’s going to happen is most of what I do.”

“A smile can go a long way in street photography.”

“I don’t consider all of my photos to be good. Many though, are necessary.”

“After taking someone’s photograph, thanking them then walking away must be a little bit like – What the fuck just happened?”

“We’re all colour blind at first.”

“I enjoy photographing dogs. They’re usually so attentive or not.”

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